Tuesday, August 31, 2010

black and white fingerprints...








son flips book-pages and i see my mother and her dog-eared copy of Anna Karenina and the hours at kitchen table teaching children and her, even now, reading in spite of tumor



and as moon-yellow spills across the curved backs of fields and the combines whirr and the chaff falls like yarn




trent and i finger the photo albums, the black and whites of men and women now singing heaven's chorus who once were, who now make up our baby's dna, and we touch the pictures near-reverent,





the opa who made something from nothing in his tool shed, whose pet was a goat, who died in the bush





my nanny who painted europe on canvas, water-color-fine, whose husband hangs her paintings tender long after she left, door swinging wide






my rose-papered grandma who planted trees and recycled and canned and, when she stopped to rest, fell asleep







my father, the pastor, whose only fault is he serves too hard




trent's father, the farmer, who walks with the deer

his wife, mother of many whose arms are always holding









i want my boy to know this. to know from whom he comes. to know the black and white prints, the grey-haired-legacy, the God-chain from adam descent... so he might think on them and live up and beyond them and know















his being here is

something

golden.

tuesdays unwrapped at cats

linking also with One Shot Wednesday.

Sunday, August 29, 2010

grasping tranquility









husband put arm around wife, others in suits followed suit, mints were pulled and passed and the white-bearded man spoke of praise in the mouths of babes, of psalm eight which i'd read that morning and spirit quieted sudden, in the pew with the dutch ...




and the man with the thick voice and the old hair shared wise of ecclesiastes, next, and the meaningless of toil, and how one hand grasping tranquility is better than two gripping tools for work done as unto man is vain, and only the Lord can build a house...



and i thought of the colors, of tomatoes and apples and cucumbers, of fuzzy-faced peaches and twist-tie zucchinis and how i'd baked for hours only to ruin, and how i'd wept for minutes into the too-moist-pans and wished for time spent other, for hours gone-wasted to be returned, and then i'd tried to find reason





for that wet afternoon, and i'd learned it in his face, the little boy who sat one foot in sink, hand holding vegetables, head bent like my father's and i realized





as the dutch man told now of his wife and their marriage, relationships... where two or more are gathered... the ties cannot be broken, and this,








is meaning.
















not time. not toil. not round loaves-perfect. not check-lists or laundry folded or carpets clean. him. me. us. boy.







and the couple in front, folded inside each other's arms. the families passing mints. these, matter.







and for these, i give thanks.

Friday, August 27, 2010

when lightening strikes







he told me to come, the sky was black and i was tucked in chair and evening, but go, i did, in the car with my man down the gravel road where wheat waves high like pale thin hands, and there, we watched the lightening strike...

and we were silent beneath the expanse, the light setting flame to cotton clouds, and us counting the seconds like our fathers taught us to, long ago, and us remembering standing with parents and candles because our baby-eyes could not sleep with the sound of world-on-fire, and so we'd watch, lightening strike

and every marriage has its moments, and this was ours. baby asleep in crib just a mile away, and us out there beneath the wonder ... and we needed it, for the week had been one of those, and our love had straggled woes, and we craved it, this fire-ball-white, this northern show of sparks and cannon-balls, and we tucked hands and wrapped arms and lightening struck

...

praying
this weekend is one where sparks fly between you and your someone
...




(photos taken by my sister-in-law, teshah wierenga, who also saw the same lightening show just two miles from us... and me, not having a camera, because husband wanted me to watch, not shoot...)

Wednesday, August 25, 2010

imperfect prose on thursdays



they're but winged creations, our children, and they metamorphasize and unpeel even with the smile-crooked...

it happens when husband pulls me close, whiskers-touch-cheek and we make up from anger-words and baby is in this circle of three and he gurgles touches hand to father-face and we're tucked together, Christ-cocoon, and it begins

child's metamorphosis

and i see it, the unfurl of a wing, the unwrapping of womb when i love on another, bend low to pick up, wrap tight to let loose, the neighbor, the friend, the family

and it's butterfly-making, this savior-love, and it's all i can do to watch as he begins to fly even taking first steps, us holding tiny palms and him pushing away

colors translucent fragile

i breathe life even as i want to keep him folded

he looks so beautiful, my caterpillar with wings and it's all i can write now, for the thought of him one day...



flown.







broken friends, spill imperfect prose below. we'll read and weep and reply in the grace that makes us whole. a communion of bread crumbs and shattered wine bottles.


1. link your post to mine below, using mister linky

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*Prints of this commissioned painting are available here.*

Tuesday, August 24, 2010

learning home










the crab apples sit unpeeled on a counter top, new and we sit

silent

at the table which shines of 10 coats of varnish and sanding, refinished

in a room whose corners tell whispers of residents past, whose creaks and crannies are strange ghosts, whose light slants in uncertain hues

and outside a woman runs past and i know she must be a neighbor but her address and face are unfamiliar and we cling close

in this house that seems too large for us three

and we pray holy spirit into walls and carpet and hardwood and goodwill toys and kijiji furniture

and we learn home, with its cracks and its dust of yester-year and its stories
and we learn him, who cements a home, holy


















who promises in the night as i toss on pillow wet, he will make friendly the strange
he will use us in this small dutch town of residents, kind




and i think of the co-op where no money's needed, a bill formed in trust,

of the church where hundreds commune sunday-come, farmers weather-burnt and wives with blond-shine hair and so many children

of the school where husband now teaches, his childhood playground,

all on the four corners 'pon which town curls





i think of the fields of wheat and barley and canola and the way the albertan sky seems to host heaven

and i want this to feel familiar

so i let him make it God-tabernacle

where we humble, visit















tuesdays unwrapped at cats

linking up also, with one shot wednesday.

Sunday, August 22, 2010

the farmer bows low...










i could never farm.

this, i swear cursive as we stand gripping life while tornado swirls, funnel cloud touching, trees bending, snapping and the trailer shaking where trent's parents live and i wonder, should i run? and i see his face, the weather-pummeled face of a farmer, for the wind is like that of an angry man slapping at the sky and his crops, long loved and lush, are done. snapped in four as the tree, in two.



we know not, so we sit and break bread and drink the milk of communion cow, and aiden makes us laugh, boy-giggles and for the moment there is nothing but this: the gathering of souls around the supper table. and we say grace, over and over, begging God, and we somehow find things to talk about while the earth sits shaken outside. much like a rug hanging limp on the line after fierce-broom-beating.

and we know, everywhere, brush and branches broken, graineries flattened and trunks torn, red-oak-vein exposed, bleeding sap and tens of years into the scent of wind passed, and the corn is pancake-flat and the cows wounded by funnel ferocity.

and we know, the next few days will be spent calling hail insurance and picking up the farm and putting humpty dumpty back together again.

but for now, we listen to baby babble and soup slurp and the warmth of bread fills cracks in psyche and we lean close to the other, to the milk-moustache-person-beside, and we know, where two or three are gathered, HE is.






unmoving.

unshakable.

unchanging.


Lord of tornado, earth and sky.












and the farmer bows low...




thankful for:
81. safe trip to ontario funeral
82. moving in to new home this weekend
83. son sleeping deep in spite of changes
84. front load washer-dryers
85. family stuffed in living room late telling stories
86. long-distance-phone calls from mother-doing-fine
87. father wanting to vacation more, letting himself grieve
88. running on pavement alongside fields--best of both worlds
89. a place to put my easel
90. husband's hand in mine on way to church

Friday, August 20, 2010

Song for Grandma




--this, the song written by my sister and I for my grandmother--Winnifred Helena Dow.




Take His Hand ~ for Grandma ~ August 17th, 2010

~~~~~~~~~~~~~~~

When the petal falls

When the rose bush blooms

It is beautiful

In His time

~~~~~~~~~~~~~~~

As the morning dawns

As the sky winks gold

The sun will set

In His time

~~~~~~~~~~~~~~~

TAKE HIS HAND -- HE'LL LEAD YOU HOME

WHERE THE GARDENS STRETCH BEYOND

-- AND THE COLOURS NEVER FADE

TAKE HIS HAND -- HE'LL LEAD YOU HOME

WHERE THE CHORUS JOINS THE SONG

-- AND THE ANGELS GENTLY TREAD

TAKE HIS HAND, HE'LL LEAD YOU HOME.

Tuesday, August 17, 2010

imperfect prose on thursdays



she asked me to paint the holy spirit.

how does one paint the invisible?

color. swirls and strokes of color thick with acrylic and the swoop of a bird's wing, flash of feather, trembling peace and the waters calm and baptism, holy.

the lines, straight up and down, a rational faith and then suddenly, crazed, as with the madness of pentecost and the wild ride of the church of acts.

and the blood, oh, the blood of a sacrifice so awful it wrecked God

swept clean by the yellow of resurrection.

here, the invisible made visible by spirit. this, how the imperfect is made perfect.




broken friends, spill imperfect prose below. we'll read and weep and reply in the grace that makes us whole. a communion of bread crumbs and shattered wine bottles.


1. link your post to mine below, using mister linky

2. attach the imperfect prose button by grabbing the button code to the right, or include a link back to this blog so others can partake in the community

3. read others' posts, and comment!


imperfect prose Participants
1. Claudia
2. brian miller
3. Bethany Ann
4. Shauna
5. Melissa: Detour Revival
6. amy
7. deb
8. Lauri
9. Michelle DeRusha
10. Jodi
11. Kim @ Winsome Woman
12. misty
13. Wandering On Purpose
14. Sarah
15. Ostriches Look Funny
16. Pressing In
17. Talon
18. Ruth V.
19. Emma
20. keLi
21. Jenny
22. Jen: Garden Prose
23. Nancy
24. Manda
25. Melissa S
26. alittlebitograce
27. beth
28. Jingle
29. Ruth
30. Rachel
31. Melinda
32. HisFireFly
33. emmalynn

Learn more about imperfect prose here.

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*God's Breath is a commissioned painting on 48" by 36" canvas. Prints available here.*

polka-dotted dress




i swirl in its folds and crinoline and the polka dots rhyme white and black and the pink rose reminds me of her, grandmother folded petals fallen, she whose bedroom was pink, walls papered with un-plucked blooms

i swirl in the dress my sister bought me today and i am loved

and i'll wear this tomorrow to the funeral where i'll sing a song we wrote for the one missed, rooted now in heaven-come

and i'll testify to the love that every woman needs

the kind of love that picks one up at the airport and takes one shopping because she believes God wants her to, because God showed her a shoe on the road and told her i needed new ones, and a dress too, and it didn't matter the cost because love is priceless

and she, sister young, forced me out the store while she paid so i wouldn't see receipt and now i swirl

in the dress i'll wear to my grandmother's funeral

in the dress that tells me love

i'll sing of my own, to her, the mother so grand in the sky,

she who now knows love-in-flesh, the cross-kind

and we'll waltz to a melody only she can truly hear

(to the anthem of the angels)



finding time, today, to blog, from my bed in ontario where i rub eyes sleepy... joining now with One Shot Wednesday... loving you, readers dear, so very...

Monday, August 16, 2010

and the sky winks gold...







she would stand, body bent round sink, fingers shelling peas wrinkled

i see her in my boy as he runs on beach thinking once she had feet like his

once we were all babies

once we were all shuddered close to mama's heart and loved in the kiss and cry and milk that only mothers can give

the campground alights with fire, people's silhouettes blackened red marshmallows like matches red, glow, people's voices whispers loud against the silence of the wood

and i see her in the flames

curled-light as candle-wick in my grandfather's arm, quiet peering into a world like a girl who loves poetry and is afraid of what's real

like me

and i know, i breathe and she does too, for we carry them, those babies gone, those lives in the next, in the world of revelations

they speak wisdom from behind closed doors and i see her across the water where the sky winks gold

she's swimming and she has no clothes only spirit-naked and she's laughing and splashing and the poet-girl has lost boundaries and time and oxygen mask and now, she's sweeping up the sky in a swish of satin skin

my grandmother, speaking adieu from a place i only know through prayer

i flutter my hand good-bye

tuesdays unwrapped at cats

*this post is part of August Break

(i'm flying to ontario for her funeral; celebrate her life with me, friends... drink a glass of wine to all those who dance... i will read your posts soon--forgive me--and will post again as soon as time allows)

Thursday, August 12, 2010

life in an RV: guest post



i am seeking this simple being; this art of contentment... last week, we heard from Flower Patch Farmgirl... this week, i've asked Juliana Crespo of Shakti Mama, who recently sold her life possessions to move into an RV with her hubby and daughter, to talk about what it means to live with nothing... her thoughts make my spirit water.


I remember when I was a little girl, only four or five years old, my grandma and I would travel to Campos, a small farming village, every couple of months or so, mostly when my grandma tired of the city. We’d travel there from Rio de Janeiro, a city in Brazil where a strange man once tried to lure me away from my grandma by offering me a Guarana, a popular Brazilian pop soda. We’d been at the park, and my grandma had looked away for one second, only to look back and see this strange man talking to me. She approached the man and said, in her brusque voice, “No, she would not like a Guarana.” Then she led me away.



For this reason, my relatives were always very careful to keep me nearby, and I do not remember ever playing out in the streets. We went to parks for that. So, I was always very excited by the prospect of going to Campos, where I could run through the corn stalks that looked like arms reaching up in hallelujah, and I could climb into the abandoned and dilapidated homes to look at the sky from those muddy floors. I could say hello to the horses who had become my friends (as flea-infested as they were!), and play barefoot in the streets with my friends.



At my great-aunt’s house, where there was no electricity, no running water, and no television, I experienced a metamorphosis. I was imaginative, carefree, and tranquil in a way I do not think I ever was in the city. It was there that I was always able to return to me, there, where animals and rivers and earth were all very real. There was always something very magical about this, and so I hold this memory to me as one might hold their small child to them.



Perhaps it is for this reason that when I think back to my early childhood, I do not think of the city as much as I think of the farm, of the kitchen with its stone floors, of the water well just yards from the house, of the baby chickens I loved to mother, of the dusty red roads, of the garden growing wild ferns and wildflowers, and of the cool breeze that made its way into the bedroom where my grandma and I slept in the mornings and evenings.



I think of this now as I think about how my family is poor. My family of four – Jeremy, my daughter Luna, and our old pup, Freddy – have recently moved into our RV. It is a space less than one hundred square feet. But, we did not do this not because we didn’t have a choice. Our original plan was to move to a piece of property we bought in North Carolina and build a yurt on it. Someday, we will do this.



For now, we want another sort of spiritual adventure. We are in love with the idea of traveling and understanding a country that is so often misunderstood. We are in love with living simply, and it is in this way, I believe, that we are becoming open to the more meaningful things in life. We have purged ourselves of so much – clothes, all our furniture, dishes, pots and pans, books, movies, kitchen appliances, art work, rugs, most everything – so that we have room in our hearts for a spiritual growth that begins with really seeing and understanding our country and its people. We want to experience the world not as a place of consumerism and greed, but as a place abundant with love and joy, as a place experiencing a spiritual transformation, as a place rich with culture and tradition and history.



I want to see the world as I saw it as a child in Campos, and perhaps this is very innocent of me, but I think there is something to be said for innocence in an adult who has experienced hardship. There was magic in the world when I was a child, a spiritual sort of magic, in the love I felt all around me, and I see this same magic emerging now, from places where I least expect it sometimes, from encounters with strangers who offer a smile or a helping hand, from the return to community all over the country, from this new emerging passion for simple lifestyles where less is more.



I feel this subtle shift in the air – or perhaps this perception is a reflection of the direction I’m moving towards in my own life – and I go after it, eagerly. I want to embrace whatever it is that my family is meant to do, and though I am scared sometimes, my conviction that this is our path – our journey – helps me see beyond the fear.



We will travel without plans, without timelines. We do not have jobs lined up. We do not have family or friends in many of the states we plan on visiting. We do not have money saved up. I realize that some might call this reckless or irresponsible. I understand that reasoning. But here’s the thing. My faith in God, in this spirit that prevails over all of us, is so strong, so undeniable, that I believe – I absolutely believe – that we will find whatever it is we need wherever we go. We live as traveling peasants, and we love this life. We love it because it is authentic to us. It is true to what is in our hearts at the moment. I do not think there is much more in life that is more precious or profound than that.



And, so, we embrace our upcoming journey. We embrace our poorness. We embrace our two plates, and our two cups, and our living room space that is also our bedroom and our office and our dining room space. All that we have is all we need in order to experience happiness, family, compassion, spirituality, love, and openness to our spirits’ journeys.

Wednesday, August 11, 2010

imperfect prose on thursdays





aiden sits on shadowed planks of deck, watches me spill paint and glob with brush and stroke into smooth and i think of the woman who said she stopped painting because she wasn't good enough, "because you have to be good," she told me, and i think of aiden finger painting and me pinning his painting on fridge and visitors seeing nothing but prodigy in the brush because his mama believes in him, and i think, God believes in us. we create, because he is. and in this, our art is good. he proclaims it thunder-loud on seventh day and the seas splash applause and the mountains peak glory and everything worships.

this doing and making and breathing prose and picture and color, pleases him. for, like the swallow dipping and rising, our existence is worship. our pleasure is his. and he says, "it is good."

broken friends, spill imperfect prose below. we'll read and weep and reply in the grace that makes us whole. a communion of bread crumbs and shattered wine bottles.


1. link your post to mine below, using mister linky

2. attach the imperfect prose button by grabbing the button code to the right, or include a link back to this blog so others can partake in the community

3. read others' posts, and comment!

Mister Linky's Magical Widgets -- Auto-Linky widget will appear right here!
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(African Mother and Daughter, part of a series of African paintings done for Aiden's nursery. Prints available here)