Sunday, October 31, 2010

on the eve of something hallowed






on this eve of something hallowed
we sit with women old and
infants young and games are played and communion shared over pizza and soup and laughter is the tea-light in a pumpkin pulling
family close

and i'm scared of ghosts and skeleton heads and shadows and i'm not sure what to think when we dress up our children and send them out for candy

remembering my childhood of bobbing for apples and 'chitty chitty bang bang' and learning of all saints day, for halloween was nothing holy

we have sons, three, amongst us, and they are dressed in pig and dog and monkey

and i see the fathers and mothers bringing little ones to door, the soft whisper of trick or treat and the eyes lit at gift from stranger and the odd kindness in this
loving of neighbors

God tells us to do this, this reaching out, and
there is redemption in the trying

so this is hallowed: family and food and children full of joy

and we linger in saving grace, if nothing else



thankful, with ann, for
141. snowfall fresh
142. editor who believes
143. soul stripped bare
144. baby-hugs
145. firewood for winter
146. friends and tea
147. skype convo with family
148. good books
149. sleep in's
150. mercy

Thursday, October 28, 2010

Guest Post by Laura @ The Wellspring




she writes of life in pure poetry, beauty in every word... below, Laura's heart, unfolded


We walk.

It’s not something I planned, or thought out very well, but I remember my mother doing the same with me. And ever since their legs could carry small frames upright, this is what we’ve done.

Sometimes it’s just me, needing to get out from under the thumb of this house…needing to breath deep. But as I squeeze through the small crack in the door—shrug off the bindings of the day—I give the invitation. And they usually follow.

We stand on the threshold of the world together, look into each others’ faces, and step out.

With each step, I feel the trappings of busy-ness unfurl like fingers—that lingering ribbon of time begins to unwind. They feel it too; I see it in the free way they step.

We slow.

When they were small four tiny fingers would curl around my one. A boy on each side. That’s how we would go. The smallest delight would catch their eyes back then…a tiny insect, puddle of water, a smooth stone. They were, after all, closer to this crust we walk around on. I learned that chubby legs can traverse infinite ground.

Now, when we walk, their shoulders brush against mine. And though my young one still stands in my shadow, too often I find myself looking up into eyes the same blue as my own.

Most days we go down to the creek—stare through light playing on water. Minnows and crawfish scurry away under our shadows, find refuge under the smooth flat rocks on the streambed. After a storm, the water rushes heady, churning mud and debris along its path. We throw leaves and small sticks over the bridge and run to the other side to see whose craft travels through the fastest.

Other days we head to the meadow, or cross the highway to stroll between the loping farmlands.

We talk easy as we move. It’s a habit now. Lately, we bring a tennis ball. Toss it back and forth and up and over to each other. I try to catch it with my nondominant hand. It’s good exercise for my brain, I tell them. So they try it too.

Mostly, we just be together. And it feels good.

I knew it wouldn’t always be easy. They no longer are fascinated by ladybugs. The smooth, cool stones by the creek bank hold no particular allure.

My husband, who has one brother, once told me that when he entered adolescence, his mother stopped hugging him.

I know I didn’t want her to, he said. She was just doing what I asked.

I watched them a few years ago when she was preparing to leave for a trip to Spain. We went to say goodbye the night before her departure. When the time came for us to leave, they hovered about each other nervously.

Will you please hug your mother?

I gave him permission. And everyone giggled as he wrapped her in his arms.

Once, when he was in second or third grade, my firstborn said to me, Mom, you have to stop this hugging stuff.

I took his face in my two hands, looked him in the eye, and said, Never. I will never stop hugging you.

They no longer reach for my hand as we walk together. But they’ve grown used to my hand on their back, my arm wrapped in theirs.

There are a lot of things I do not do well. Dinner is not always homemade. Sometimes they watch too much TV. Laundry sits unfolded in the basket as the door closes behind us.

But this I do well—this being together. When we walk together, we are present—right there in that moment. We leave behind what is behind and be together. All it takes is time.

And putting one foot in front of the other.

Wednesday, October 27, 2010

imperfect prose on thursdays: poverty



he appears on the road to the fields of wheat, the emmaus road in the white of my eye and the slap of runner's shoe

he appears just as i'm wondering if what i believe is true, for sometimes i have this: the knowing he is as close as my son's shreddies-breath, and then the falling, of my laundered life into wrinkled heap of "why have you forsaken me?"

and these are the prayers of poverty-spirit: to pin laundry onto line and hope someone else puts it away

and i'm running. i become nothing but a sideways glance beneath expanse of world, and i can hear his voice, having gotten out of the way

and he appears and pulls me tight, and shows me the earth, holds hand high, as if to strike it against the globe, asks, "do you want me to spend the world on you? for i will."

and i'm the sheep gone missing and he's willing to leave all, in extravagant waste, to prove himself love

aiden breathes shreddies and kisses me drooly and i whisper, "i'd spend it all on you, son" and my laundry is strung on the line and now, blowing away, and i don't miss it





broken writers, artists, women and men... spill crumbs below... in a communion of the imperfect.


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*prints of Jesus available here*

Tuesday, October 26, 2010

finding love in a diner










if self-consciousness is the curse of the city
then humility is found in the hamlet across wooden tables and red and white checkers





in the eyes of a man i've forgotten to see
for the child who runs between...

his reflection, the light that hones me, moans me mercy to the nature of love






and we buy sandwiches and sip water and remember what it's like to date
awkward hand-holding in the back of the diner where a draft blows through streaked windows









it's our
hiding place
and the waitress cracks jokes and we crack laughter, hoarse






there's art on the walls and we pretend it's a gallery and read off the titles and remark on the symbolism all the while
having eyes only for the other









i find him handsome,
he finds me pretty,
and we say so around a bite of fries









and we're tired but we don't want to stop dating so we go bowling and the balls bounce funny and the townsfolk make fun of this gangly couple and i want to tell them, we made the most beautiful boy









but it doesn't matter, because we know
and our balls gutter and our hands flutter and we find love




in a diner








and its
plastic red tablecloth




shared with one shot poetry

Monday, October 25, 2010

i need your help...



friends...

may i be blunt?
i need you. to tell me if there is a need. and to share your stories...

i used to battle anorexia nervosa, both as a child, and as an adult. i have shared my testimony a few times on 100 Huntley Street and The Drew Marshall Show; here is a documentary, taped at my husband's and my former home in ontario, when i was pregnant with aiden.



i hadn't realized how badly i'd hurt my family, by refusing to eat, until years later. now, i ache to help other families know what their anorexic loved ones are going through.

seven million women and one million men battle the disorder in north america. i have written a book, called Chasing Silhouettes: How to help a loved one who refuses to eat. it has currently passed two editorial reviews with a promising publisher, and will be coming before the Publishing Committee this November. my agent has told me that, with the financial cut-backs in the publishing world, it would be helpful for the publisher to know there is a need for this book out there--and to even get pre-orders, if possible.

here is a description of the book:

Chasing Silhouettes is a unique resource for those in the church desiring to know how to help an anorexic loved one. Revealing the thought-process of a young woman who’s battled the disease, Silhouettes is comprised of insight and advice from both fami-lies and Christian professionals in the eating disorder field, as well as suggested prayers, work sheets, and tips on what not to say or do. Based on a true story, the easy-to-read chapters are separated into four sections: Recognizing—how to respond to the initial stages of the illness; Rendered Helpless—what to do in the midst of anorexia; Recovery—how to react when your loved one decides to get better; and Renewal—how to help a former anorexic live in wholeness.

do you know of anyone who struggles with this illness? do you see a need for this resource? would you like to buy one, personally? any support is greatly, humbly, appreciated...

((thank you))

Sunday, October 24, 2010

i am poor






he ran across the street, a cut-out in tattered cloth and scruffy beard, and the lights bled red and a symphony of horns and i wondered whose baby he was

where his mama lived and what his first word had been

and we hurried on,
past the asian couple in the corner and the teen in tight pants and the little girl with the long face pushing her doll in a stroller down subway stairs while her mama texted love

we passed the hands outstretched and the spaces that smelled and the hungry hollows and we arrived at a place where we felt safe enough to pull out our wallets for an event that promised to raise money for the poor






and we sat on cushions and listened to pretty songs and watched a man make art and another make humor and we laughed and patted ourselves on the back for all of this would benefit the slums in the end

and we were good people

for doing so

then we waited, for her to bring up the car so we wouldn't have to walk past the shadows,

the scarred faces, empty hands, the once-somebody's-baby now orphans-of-society

past the purity of the poor
the riches of the ridiculed and

the God we'd never know



with ann, thanking him for:
131. bed to sleep in
132. cushions
133. painful insight
134. a ride to church in the sleet
135. lunch
135. supper
136. breakfast
137. a bank account
138. hot shower
139. warmth of human contact
140. my easel

Thursday, October 21, 2010

Guest Post: Michelle @ Graceful



she is graceful. she is beauty-writer, and she is here, breathing new life...




My grandmother had osteoporosis.



We didn't know the name of the disorder back then, but we observed her stooped, bent frame. She sat hunched at the kitchen table, cigarette curling smoke from the gold ashtray, Good Housekeeping spread open on the floral oilcloth. A hump bulged between her shoulder blades – not huge, but discernible through her thin cotton housecoat.



My mom swallows calcium three times a day – white horse pills. Her shoulders round forward; she doesn't seem as tall and stately as she once was. Where we used to stand eye to eye, I am a bit taller now. But her doctor assures her they have caught it in time.


Built similarly, my doctor has warned me about osteoporosis. I'm genetically predisposed to it. She advises calcium, 1,000 milligrams, divided into two doses daily with meals. But I take the vitamin only sporadically, when I remember. I don't like to swallow the pills with my morning coffee; they make me gag. By the end of the day, I've often forgotten to take them at all.



As I age, inching toward menopause, my doctor warns that my bones will become more brittle, prone to fracture. "Take the calcium; drink milk, eat yogurt," she urges. "You'll regret it later if you don't."



Brittle bones are on my mind as I ponder Ezekiel, and as I read descriptions of bones, a valley of them, dry and lifeless, it strikes me: femurs and fibula and trapezia aren't my only concern. Sometimes, I fear, I have osteoporosis of the soul.



I am spiritually parched. Dry. Prayer feels contrived, forced. I procrastinate reading the Bible, and when I do, I'm distracted, not really reading or absorbing it at all. I sit in the pew on Sunday and feel empty. My soul is flat, desiccated. Detached.



Yet I go through the motions of faith, empty though those rituals seem. I pray, regardless of the silence. I read the Bible, ignoring my wandering mind, pressing on, re-reading verses. I show up at church on Sunday, slide into the pew, cast my eyes on the altar, put bread in my mouth and wine to my lips.



In repeating these motions, these rituals, these seemingly senseless acts of faith, I feel the beginnings of new life breathed into dry soul. Sometimes it takes days, sometimes weeks, but in patiently acting in faith, I begin to feel the real breath of life.



Breath comes in a word – from a colleague, from a stranger, from my son. Yellow Post-It note left on my pillow with a foil-wrapped Dove chocolate plucked from the candy jar: “I love you Mommy. You are my sunshine.”



Breath comes in an act – cheesy lasagna in an aluminum pan delivered to our doorstep during a grieving time. Butterfly lamp arriving via UPS, glow in darkness to remind us of her light. And His.



Breath comes in a vision – a single river birch branch lit in brilliant autumn gold. One lavender aster blossom held in boy's outstretched palm.



The soul warms. The spirit loosens. Bones grow limber. And in these breaths, each deeper than the last, I feel bones and soul, body and heart, live and breathe again.



“Then he said to me, ‘Prophesy to these bones and say to them, ‘Dry bones, hear the word of the Lord! This is what the Sovereign Lord says to these bones: I will make breath enter you, and you will come to life. I will attach tendons to you and make flesh come upon you and cover you with skin; I will put breath in you, and you will come to life. Then you will know that I am Lord.’” Ezekiel 37

Wednesday, October 20, 2010

imperfect prose on thursdays: giraffes



sometimes knowing God tastes like saskatoon berries

sometimes when i open up my senses, flower to sun, i can touch heaven

i practice, at breakfast, touching texture of peanut-butter toast... it sticks to mouth-roof as if i'm gluing shingles... and i think of george washington carver and the rows of peanut plants green with money and the people dancing in their scarves and their baskets

i smell my coffee before drinking it, and i remember mum and her mocha time and i say a prayer for her

i watch my son crawl towards me across the yellow shaft of morning and i say nothing, just let the love happen, and it fills me so full i think it will overflow and i'm worried he might drown in it, but i let it happen anyway, because i know deep down it's buoyant

and i paint until the picture corrects itself, these giraffes once being a tree that never really grew right, but i just slathered red and started over and turned off perfection, turned on my heart, and there, they appeared, silhouetted against sunset sky

sometimes knowing God is nothing about me, and all about the other

and it happens, only when i stop trying


he must become greater; i must become less. (John 3:30)



broken writers, artists, women and men... spill crumbs below... in a communion of the imperfect.

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*prints of Giraffes available here*

Monday, October 18, 2010

aiden's first steps



my baby is learning to walk, and i, to see

weeks past, he gauged the space and tumbled into daddy, opa watching from tabled supper, me cheering behind lens as though he'd won a marathon and he, baffled, too fast these steps, too much, this adult world, and
since, has timid taken the floor (and i don't mind ... )

and even as he raises foot i lower mine, slowing, on purpose, to see...

learning recent of blind receiving sight, from dillard's pilgrim at tinker creek: "shown a bunch of grapes, a boy calls out, 'it is dark, blue and shiny... it isn't smooth, it has bumps and hollows.'" another patient couldn't stop looking at her hands, moving them to and fro, bending and stretching her fingers, "greatly astonished at the sight." another woman, astounded, realized men don't look like trees at all. and a 22-year-old girl, dazzled by the world's brightness, kept her eyes closed for two weeks. then, she gazed at one object at a time, and "an expression of gratification... overspread her features" and she exclaimed, over and over, 'how beautiful.'

dillard saw color patches for weeks after reading these studies.

i saw color upon waking, hours after reading in the dark.

and this, the morning when a moose should walk across my yard. and, after turning from the moose, aiden in hand, the sky split open its cocoon and out flew cadmium reds, fuschia pinks and bright mauves like thousands of butterflies across the horizon. and i would have fallen if it weren't for aiden holding me. instead i closed my eyes for the dazzle of it all, and said, 'how beautiful.'

and my son led me back indoors where he showed up the sunrise with his fancy footwork.

linking with one shot poetry.

Sunday, October 17, 2010

triangle garden





communion glasses clink like piano keys
and the men begin to sing and there's something awkwardly graceful about it
like the way he pulls me into the curve of his shoulder
their voices crack in the harmony of farmers' duet and i think of our triangle garden
turned up, earth fallowed fresh, him dumping peat moss from the old red truck

i dream of peas curling, pods splitting, spaghetti squash squirreling green, corn lined up like girls in tassels, and sunflowers--wide faces splitting smiles--

but now, the rota-tilled strip, roots splayed, earth-wound-gaping black.

an awkward kind of grace, one that squishes between my toes as i photograph our shadows.

the communion glasses clink, i turn to mother-beside, "that was good wine," wink that makes me wince and i sudden despair for when this holy feast will be more than store-bought bread and good-tasting-wine.

i am tilled-fresh

i can picture the flowers,
but for now, garden-gash, roots upturned, and

"transcend" the pastor tells us. he stops so long i beg him to breathe, and when he finally speaks again it's with voice-wrung-clean

transcend the pain, and God will grow in you newness.

to hope, means to wait. the earth hopes on spring by waiting, splayed.

but first, the dying.

with ann, thanking hard:

121. hand-knit slippers-warm
122. furnace sounding soft and steady
123. baby learning patty-cake
124. her handwritten note
125. blue jay at window
126. white-tailed deer running across yard
127. training yesterday to help at women's shelter
128. coming home
129. oatmeal raisin cookies, and him saying "yum"
130. "faith like potatoes."

Friday, October 15, 2010

learning to self-love (a guest post)



juliana of shakti mama has embraced womanhood this year. read on...

In the last year, I have become much less afraid of many things. Like myself. And death. And other people. And … spirituality, God, Jesus.

All of this has come with an epiphany that might or might not surprise you. The epiphany is not a new one. It is not an unrecognizable one. It is merely this. I love me. I love every part of me. I love those parts of me that are tender and loving and kind. I love those parts of me that are angry and depressed and frustrated. I love those parts of me that are unexpected, like the way I make baby noises with my little girl, or the way I will wake up some mornings and know I need to write or go to the gym or cry or take a walk through the woods. I love it all – and it is in loving all these parts of me that I am learning to love all people. It doesn’t matter who the person is – cantankerous neighbor, homeless man on the street, sweet lady in front of me in line, cranky man honking his horn at me in the street.

I love all of them … and I can say this with ease because I sincerely believe we are all one. We are all connected. It is humanity that connects us. This beautiful, magical, mysterious, spiritual recognition of how human and vulnerable we are draws us to one another. I am learning this profound art of loving – for it is an art – and I am learning that when someone reacts angrily or in an unfavorable manner, it is because they are hurting, just as I have been hurt and reacted in the past. I am learning that we all have this capacity … to love each other so much that we understand just about everything we want to understand about the universe, about why we are here, about God and death and life.

As I learn love for all, I am also becoming increasingly aware of the negativity that surrounds us. It seems we cannot escape it sometimes. By negativity, I mean the media, politics, and society in general. But I also mean negativity on an individual level. Most of us are programmed to react negatively – to resent our lives, to complain about our children and jobs, to be jealous and paranoid and unhappy. Once we begin to recognize that our lives are gifts, and that we each have our own individual set of lessons to learn during this lifetime, then we stop resisting life. Once we stop resisting life and once we embrace change, even the difficult ones, we really begin to live – with graciousness – in the moment. And there is nothing more precious than this.

Jesus had much self-love. This is where love and compassion began with him. This is where it begins with all of us. When you find yourself reacting negatively or saying something that hurts another, stop for a moment and extend love to this hurt part of yourself. It is asking for your attention in the only way it knows. Look to see where the real hurt is coming from, where the real negativity is stemming from. Spend time with these emotions. Treat them as you would treat a sad child. Then, when you are ready, let them go and move beyond them. Breathe. Feel yourself grounded to this earth. Feel your spirit lighten as it recognizes its own light. Life is different this way. And beautiful too.

Wednesday, October 13, 2010

imperfect prose on thursdays-i am woman




anne lamott called her thighs her aunties. i think i should find names for my ski-slope nose, pear-hips and wide feet. baby sits on the curve which husband kisses beneath sheets, and with one hand i paint, i write, i strum guitar;

with the other, i change diaper, scoop pablum, soothe lullabies and sweep up broken goldfish.

sometimes when baby sleeps and lover lies i slip to the mirror and pull back dreads, study my face where the crow's feet crawl, wink eyes green-gold and lines make a smile where there is none... i cut my nails and it feels like heaven. i shave my legs and pluck my brows and sing to myself as i dare to moisturize and the pine in my bathroom fools me into thinking i'm somewhere special. someone special.

and i am. i am woman. and these simple actions remind me of the girl who lies beneath piles of laundry and to-do lists and dirty dishes... the girl who dreams ... the girl who laughs too loud and cries too quick and feels too fierce. the girl who believes in good and trusts too many. the girl who makes my man blush.

time tick-tocks to the rhythm of a child's heartbeat...

and when i emerge from the bathroom i am groomed pressed and primed for another day of being unraveled, wrinkled and pulled... and i breathe in the prayer that is my life and remember the face of the girl. always the girl. because if i forget her, i lose myself.



broken writers, artists, women and men... spill crumbs below... in a communion of the imperfect.

1. link your post to mine below, using mister linky

2. attach the imperfect prose button by grabbing the button code to the right, or include a link back to this blog so others can partake in the community.

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(turning off comments, once again... to he, who makes man and woman, be glory given)


*the prints and original of Naked Melody are available here*


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the pilgrim at tinker creek




sometimes i wake up to the smell of toast and he's standing there in the kitchen in his schoolteacher clothes and i watch him slice the bread i've baked onto a plate i've washed and i suddenly don't mind these proverb 31 duties

his shirt smells like the soap i bought, the kind that saves the environment and his cheek is smooth from my kisses and i set the bible before him and he thanks me around a swallow of breakfast and

i pad away in my red flannels and sit by the window overlooking the yard where the deer appeared

and i practice saying thank you for this life

for this man

for the baby asleep in his crib downstairs and

please give me strength to serve another day

when all i want to do is curl up with the pilgrim at tinker creek and have someone serve me



part of "What is a Woman?"

Monday, October 11, 2010

the making of a mama





he's no more a baby than i am a girl, but his cheeks are still soft
and when i go to lay him down his breath smells like candy cane and the prayer snags in throat and i can't. let. go.

it's taken too long to utter these words but they still feel forced, prickled and
i am abraham placing isaac on altar saying:

"God--if he isn't going to accept you in this lifetime, please, take him now while he still believes."

only it's too hard. for he's too real. and everything good is in him, and he trusts me so, and here i am feeling like a betrayer as i offer up his death to a God i've never seen and it feels crazy and i am worn from faith stretched tight around this family

but eventually

the threads thicken and

i separate self

tuck feather tick around soft cheeks

turn off the light, the prayer holding us

for i know, this is the mama-role:

to choose what's best for my son, even when that best.isn't.me.





*part of a series on "What is Woman?"*



linking with one shot poetry.

i am wife





she tells me the birds fly south because the light shifts

her ring is soap-bubble-white

dishes stack clean and she's soul-bare, this girl to be wedded in december

i think on my man, and our seven-plus years and i voice in words barely audible, "nurture him." our men need knowing, home is a place where they can fly south, when the light of the day draws short... our wife-role is many, and one, taking over where the mother ended: "he needs to know his needs will be met"... he needs us to put words to his feelings... he needs bread and drink and hug and soft, soft songs and quiet hues as evening falls, and a loving lap on which to leave the worries of today.

this, tall order, and she drinks it in as day wraps around her and in a few hours, the house will be full of 35 pairs of sneakers, a 25-pound bird and bouquets of flowers and our words will be deafened by the din of family but for now, my ears are hers and we are women, connecting over dish and soap, seeking him on how to serve man

and i tell her, there will be hard times. times when you doubt yourself, doubt him, and times when you don't want to nurture for the pain

her ring shines and she swallows and i can see her warrior-spirit brandishing shield for
the arrows flung hard

and they will

but those shield-dents make the warrior worthy
and the wedded bed holy
for the fight


the light shifts... her face dawns golden and i see a wife rising within


(this, part of a series on "what is woman?")


joining ann, thanking God for:

111. dented warrior-shield
112. clean quiet house
113. sleep-filled nights
114. week past of visits, week ahead of stillness
115. leftovers
116. washing-machine whir
117. baking-bread swirl
118. walks on october road
119. assignments
120. wednesday phone date with mum

Sunday, October 10, 2010

his




this week, digging deep the feminine: as mother, wife, sister, and woman...

who am i?

and to start, this chorus telling me: his... you are his.

for this is where it all begins.

singing these words in the hopes he speaks through, lifts you high, sisters (and brothers) in your exploration of soul and psyche.

Thursday, October 7, 2010

Guest Post: JoAnn @ Ostriches Look Funny

she is love and humor and humility and her words always strike deep... bringing to you, joann, from ostriches look funny...


I love a house that faces East. I see the sunset in my sink.



Recently the sun hid and it rained big drops, and I found myself singing "You Are My Sunshine" in my warbled voice. It was unconscious, that song choice. Something inside me chose to sing sun in the face of a thunder storm...

I used to be afraid and I could only see dirty dishes and cumulus clouds. But, that is a "used-to" story. Now I fight my fear with Truth.

Before Truth, I would fight with socks, layers, walls, fortresses; but they got so tall I couldn't see the sun and I forgot why I was fighting in the first place.

It was too dark to remember.

So, I turned to Truth, and the walls came down. They're still falling, and I'm still blowing my trumpets loudly, rejoicing over funny boy faces in the twilight hours, choosing love over bricks.



What you try to control will end up controlling you.

Pain is a moment. Death finds us all. The sun will set on my face, and I hope it's wrinkled by the time I say my last goodbye.
But...
If it's not...


Being hurt is not the worst that can happen. It's sometimes the best. The bad weather makes a beautiful patina...



For now my life is about eternal things; badly cooked meals made with love, art, song, green leaves and brown leaves, dancing, singing badly about light under a blackened sky. It weeping for the hurt ones who still hide behind walls and giving them my heart and whatever else they need.

Who will save them?
We who are the lighted ones and we creep out from beneath baskets and say boo to the wind and the rain, and the pain changes us to rainbows.


But, we can only do it with Truth. Truth is Jesus, the one who set us free from death and any other scary thing. He died once for us and then He rose so we may rise too, with Him in us. We follow Him bleeding red martyr blood, and He rides the clouds we used to fear.


"The real meaning of eternal life is a life that can face anything...life becomes one great romance, a glorious opportunity for seeing marvelous things all the time." -Oswald Chambers

Wednesday, October 6, 2010

imperfect prose on thursdays--grace




my little sister is getting married, and i'm elated and shattered for her... in these bridal moments, the places where child meets woman and daughter clamors for mother, i'm praying God be the nesting place

for her, and for mum, as they each desire more than life can give them

mum, despite tumor shrinking, battles to remember what day it is while
sister, with wonder and jitters, plans the most important day

here: the blackness splits wound-open and frailty is exposed and all of the aches and pains of old-man-life cry out for redemption-day

but sometimes, somewhere: a flower grows

and sister stretches across cyber miles to touch mum's hand and mum remembers what it's like to be needed, and sister remembers what it's like to be mothered and

the day is made possible by a thin stalk of grace rising high amongst debilitated buildings

and he saves

again, and again.... hallelujah.

(turning off the comment box, that he be glory-given.)


broken friends, spill imperfect prose below. we'll read and weep and reply in the grace that makes us whole. a communion of bread crumbs and shattered wine bottles.


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"the original and prints of Sunflower City are available here*

Monday, October 4, 2010

when angels appear






never feed a stray cat, farm-boy says, or it will become yours.

i know this. but when it mews lonely from tire-perch, purring cold, fur-shiver,

i let it in, and feed it meatloaf.

he rolls his eyes and i cough and aiden finds playmate in the rolling tumble and i am worried for what will happen when i run out of meatloaf? and i pray, and someone comes and takes it away, their pet. God cares about kittens, i say. (husband's turn to cough.)

and i'm interviewing a man who tells me about a family in bangladesh whose children lay broken with sores... others said not to help them for the family would become dependent and "that's all good in theory, but when you see someone in need, there's no choice but to help" and i get this.

and we understand in the followed silence that God takes over where we end. as he had with the kitten. as he did with this family, when interviewed man chose to pay their medical bills.

and while cats are not people, it draws a samaritan-story parallel, no? compassion calling. Christ-cross-love. and in the worst of these wounded

angels appear.

and we're drawn to them. to their brokenness.



it's the God in us.






linking with one shot poetry.

Sunday, October 3, 2010

john and yoko






that's the thing about the darkness

it makes the light so very bright

he hides in the white of the hotel bed, my baby with the sun's silhouette and trent is gone to a conference and we're just being, mama and son, him pulling on my lip and me pulling on prayer strings begging God don't let this end, this

kingdom-come-moment

sipping apple juice, eating arrowroots we go nowhere but they come to us, my girls, the ones i met doing young life, and she tells me, eyes hallowed black, she'd rather be a stoner than an emo-kid

and it takes me a moment to remember what that means: someone who wishes their life away with the edge of a knife

and i hurt for her so hard it takes a moment and a gasp

and all i can do is hope she fills in my wordless gaps with love
and all i can pray is that this love picks her up and holds her

for isn't this the brightest kind of light?

after she leaves i hold my silhouette boy, and i understand why john and yoko stayed so long inside that hotel room

not for anything but the whiteness of the sheets and the softness of the sun and the way it feels to be quietly loved

while the rest of the world rages

with ann, today:

110. free hotel stay
111. no internet, so forced to read and love on life
112. husband sneaking me breakfast in one of aiden's Tupperware dishes


113. seeing another young life girl and her beautiful baby
114. goodwill shopping treasures
115. the drive home beneath autumn skies
116. walking across my own threshold and breathing sighs
117. long sunday rest, painting, then church, then reading in backyard
118. friend arriving this week
119. imperfect prose community (how i love you)
120. stars bright in night-light-sky (holding husband's hand, taking the photos you see here)